It becomes an interesting proven fact that usually most popular subculture is cooked up by someone who seeks profit only, and after that is fed with a hungry young crowd of fans. This isn’t always true in Japan, though. The skill is perfect for the art’s sake ‘s what comic market followers are yearning for.
Yoshishiro Yonezawa, a novelist, critic and a passionate supporter of popular manga subculture, invented a solid idea of founding an organization, market that is open for all your non-professional manga artists who form their own circles called doujinshis to create manga mimic artwork and magazines (which are called doujinshis, too). The thought became very popular as Comiket, the greatest comic market in the world, takes place in Japan every six months for several days consecutively each time during winter as well as in summer. There are far more than 35 thousand circles taking part and also over fifty percent a million attendees.
This is a space where freedom of expression is preached on a large, and organizers never imagined so large a success of these creation. Before Comiket, teenagers who studied in high school graduation or university, took part in comic markets as amateurs, and ceased to participate after graduation. But also in mid-seventies this changed drastically. It came to be not simply a hobby, however a lifetime passion, numerous artists got appreciation and followers due to a growing popularity of doujinshi phenomenon. There are many than two thousand doujinshi markets taking place in Japan each year, and Comiket is in no way the most used one.
Now the idea have spread far beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China as well as U . s .. The volume of doujinshi circles mushroomed as markets provided great opportunities to get a many amateur artists and mangakas (manga artists).
In the beginning the predominant portion of doujinshis creators were women, about 80 percent. In the 1980s more males became interested, now the ratio generally seems to favor female artists only slightly.
We conclude that doujinshi is often a visual cultural phenomenon that is shaped mostly by youth, yet its meaning and consequences are of global importance.
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